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Rising Stars: Meet Lady J Huston

Today we’d like to introduce you to Lady J Huston.

Lady J, we appreciate you taking the time to share your story with us today. Where does your story begin?
I was born into the music industry. My mother, Loyce Pickens Huston, had a fabulous contralto voice many compared to Sarah Vaughan. She was very popular on the St. Louis music scene as a song stylist covering jazz, blues, pop & gospel music. I am the only girl of 5 children and I’d cling to her to accompany her to many rehearsals and shows.

The first instrument I played was the triangle in kindergarten. I was serious about when to hit my dings in the school concert. I also acted in some school plays. In the 4th grade at Columbia School, I was introduced to the Flutophone. My classroom teacher, Helen Jones-Imes, was also a pianist. She taught us how to read notes and play the instrument which I excelled in. I attended an afternoon music school program in the 5th grade and was taught by Anthony Williams to play a single snare and tenor marching drum. Another teacher, Dr. John Jackson, introduced me to the Trumpet one day after school. I was more interested in the drums at that time and marched in parades.

I was also a very good dancer in grade school. I performed on shows with my mother and her manager, Chick Finney as a Modern Dancer. My mother began promoting her own shows in venues and nightclubs. I would dance, my mother would sing, and her twin sister, Joyce Pickens Coffey, would tell jokes.

I saw Ben Vereen depict Louis Armstrong in a movie and was enthralled by that experience and asked to join the trumpet music class at the original Central High School under Herman Morgan. Since I could read music, I was placed in the intermediate class but was challenged with not knowing how to even make a sound on the trumpet. I practiced hard and surpassed the other students by the end of the year. I became the lead trumpeter & choreographer in the band,  and marched in several local Drum Corps.

I graduated valedictorian, voted the most talented female student and received academic and music scholarships to the University of Kansas (Lawrence). I majored in music theory/composition with minors in trumpet, voice and piano. In my sophomore year at 18 years old, I was offered a position to tour with the Blues legend, Albert King, as trumpeter and opening act. Mr. King fired musicians a lot so I started charting the music to save time having a new member play the show. I became the horn section leader and eventually music director of the band.

After a few years of touring, I accepted scholarships to attend Howard University (D.C.) with the same studies receiving honors on the Dean’s List. I recorded an album with the Howard University Jazz Ensemble and we did shows with Lionel Hampton and Blues pioneer, Alberta Hunter. Due to financial hardships, I couldn’t secure funds to fulfill my graduating requirements so I resigned. While in D.C. I performed with Donald Bryd and sat in on shows with two of my idols Dizzy Gillespie, and Freddie Hubbard. I was a member of a popular GoGo music band D’Shiya.  This group opened for Run DMC and Pieces of a Dream. I started a band with my partner Johnny Stewart. His brother was the R&B star Billy Stewart who tragically died with his band at the height of his career. Johnny & I did a tribute show around his music.

We relocated to Los Angeles, CA and formed Johnny & Joyce & The Choice Band. We opened for several national acts and played around the area but things weren’t moving fast enough so we decided to relocate to Las Vegas, NV. I fell in love with the lights, being in an entertainment mecca and settled there for 25 years. Johnny began touring with Bill Pinkney’s Original Drifters and I would perform with them when they played the showrooms in Las Vegas. Johnny & I parted ways. I played in several bands and eventually embarked on having a one-woman show at the Fitzgerald’s Casino using the billing with my new stage name “Lady J”. I was asked to form a Blues band to perform at the #1 Blues club in Las Vegas, The Sand Dollar Blues Room. I began performing with my band as Lady J Huston & The Fireballs. I also worked as a database administrator and project controls engineer with the Department of Energy contracting firm on building a nuclear waste repository for the United States.

My band became quite popular performing in the casino showrooms, lounges, nightclubs, festivals and more. We won consecutive awards with the Las Vegas Black Music Awards (BMA) and the Entertainment Consumers’ Exchange & Fans Entertainment (ECE) as Best Blues Band or me as Performer from 2009 to my departure in 2013. I was heralded as the Las Vegas Queen of the Blues. I became a patient advocate and spokesperson for several causes which led to my being featured on an episode of World News Tonight with Diane Sawyer. I performed in Season 3 of America’s Got Talent as part of the Audition All-Stars in the season finale. I was published in the Distinguished Women and Men of Southern Nevada, multiple Marquis Who’s Who publications, articles in newspapers, magazines, and other TV and radio interviews. My band was inducted into the ECE Hall of Fame in 2013 at my jam-packed, farewell & star-studded tribute show.

I became very ill in 2013 with little hope for survival from the doctors. I was encouraged to return to my hometown to be with family and get my papers in order for the end. I struggled for 5 years but things began to improve with doctors from Washington University and Barnes Hospital. I found a functional medicine doctor that offered alternatives that helped strengthen me to return to the stage.

In 2018, I debuted The Lady J Huston Show and Tribute to Albert King at the National Blues Museum. I have continued to perform there and at other venues in the area with an ever-growing loyal fan base. I was asked to record on the “18 in 18” CD compilation of local Blues artists with the St. Louis Blues Society. I had written “Hide-Away” (https://youtu.be/_khTgLHeC9Q) an 18-piece big band composition that the Jazz Edge Orchestra recorded with me. That is a major milestone and highlight for me in my career. I was performing regularly until the pandemic hit. In April 2021, I resumed performing in venues after getting vaccinated.

During the pandemic, my advocacy focused on awareness and education to the African American community with this novel CoVid19 virus. A family member passed from the disease in its early stages. I created a Facebook group, Black Corona Lives Matter (https://www.facebook.com/groups/blackcoronalivesmatter), was featured in an article in the Associated Press, on KMOV (CBS) news being vaccinated, and in a diversity series PSA with Mercy Hospital about getting vaccinated. I won a songwriting competition with the National Blues Museum for my song “Corona You Make Me Sick!” (https://youtu.be/j1E7aWoezt0)  Portions of the music video are included in the PSA.

I continue to perform with CoVid safety protocols and am in the studio recording an album.  We will host a free CD Release & Listening Party of the featured track “Groove Me Baby” on July 22, 2022 at BB’s Jazz, Blues and Soups.

I’m sure you wouldn’t say it’s been obstacle free, but so far would you say the journey has been a fairly smooth road?
It has not been a smooth road. I was oblivious to the obstacles I would face in playing the trumpet which is a male dominated instrument. I’ve received harsh attacks being amongst men intimidated by me. I also encountered sexual advances and was told certain things would be needed in order to propel my career.

I was diagnosed with Fibromyalgia in the early 1990s when the term was vaguely known. I was ridiculed and doubted by some practitioners, family and the general public who couldn’t understand my symptoms while I looked just fine. I became a patient advocate and spokesperson for the illness. I was unknowingly misdiagnosed with Lupus & had become the celebrity spokesperson for the Las Vegas Colors of Lupus non-profit organization. They orchestrated my appearance on ABC World News Tonight. I was put on a long-term regimen of prednisone that caused the destruction of my left hip. I was reluctant to get a hip replacement until I could barely lift my leg during the pandemic. Since I wasn’t performing, I went ahead and had the procedure done. I now regret suffering for so many years. It’s been a life-changer.

St. Louis has a lot of clicks and it’s been tough in some areas of my pursuit to reach the level of recognition I had in Las Vegas. I also had a very good manager who took a lot of the load off. I have found some wonderful people recently supporting my musical efforts.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?
I am known for being an award-winning, multi-talented entertainer. I stand out as a female trumpeter, vocalist, dancer, songwriter with a left cheek dimple, lol. I believe it’s important for singers to understand music theory. I take the “business” of music very seriously. In working with musicians, I am able to express myself pretty clearly. Sometimes men don’t want to take my direction so I will suggest they move on. I call my group “The Lady J Huston Show” because I like to add the flair of Las Vegas entertaining that made me popular. I seem to be different than many in the area in making sure all of the musicians’ talents are featured in the “Show”.

I have a sexy edge to my presence on stage when I’m in my favorite element of adults wanting to have fun and hear good music. I am committed for life to preserving the Blues music genre. I have presented the Blues to children, in schools and they love it. I mix Classic Soul and Funk/Jazz in my shows. I also perform at the Center for Spiritual Living St. Louis, that lean towards metaphysics, and other houses of worship.

I’m most proud of being able to speak the language of music and bringing joy to the heart and souls of others. My greatest achievement professionally is probably touring with Albert King. I met so many Blues icons and played on shows with greats such as Muddy Waters, John Lee Hooker, Etta James, Millie Jackson, KoKo Taylor, Robert Cray, B.B. King, Bobby Blue Bland and so many others. I only regret not carrying a camera around. Having this wealth of mentorship and experience sets me apart from many artists on the local scene.

If you had to, what characteristic of yours would you give the most credit to?
I have never given up on my dreams. Sheer determination and keeping the faith are important to achieving all levels of success. I don’t harbor jealousy against others that have excelled above me or look down on those who are striving to reach my level. I feel its important to recognize and appreciate that we are all children of God with gifts to spread amongst us. I value the maintenance worker and the doctorates. I don’t take lightly that this is the music “business”. If you’re extremely talented but present reckless behavior, people will not want to hire or work with you. My word is my bond and I’ll be responsible in letting you know if something in life happens that alters things.

No matter how good you get in your talents, there’s always more to learn. I don’t think it’s wise to think you know everything. I also enjoy teaching and helping people with skills I have that include being a techie, performing genealogy/family research, being a good listener, advisor, and patient advocate. You never know the rewards of being of service to others can bring to you. I was stunned, humbled & honored when I learned the National Blues Museum is featuring me in their newest exhibit “Pandemic Blues”. I believe in Karma, the laws of attraction, do unto others as you’d have them do unto you, or the other many ways of phrasing this phenomenon. The Serenity Prayer is valuable and something I have to continue to call upon when frustration arises.  Remember life is for the living, so enjoy it and be the best that you can be!

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Image Credits
Aaron Barge
Altheria Johnson
Bob Baugh
Charles Johnston
Elcardo Moore
Lady J Huston
Mark Bowers
Reed Radcliffe
The National Blues Museum

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