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Conversations with Emma Taylor

Today we’d like to introduce you to Emma Taylor.

Hi Emma, thanks for joining us today. We’d love for you to start by introducing yourself.
I grew up dancing and singing. My mom was a performer and worked at an equity theatre, so from the start I was immersed in the arts. I studied music business in undergrad, but quickly realized that I liked performing too much and couldn’t sit at a desk all day. So I pursued my masters in Jazz Performance at University of Illinois and stayed for my Doctorate of Musical Arts. I spent three years teaching music courses and coaching ensembles in higher education, and a year ago moved to Chicago to focus on freelancing and building my career as a performer.

Alright, so let’s dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you’ve had to overcome?
I think there will always be setbacks and struggles, but I try to be appreciative of all the challenges as they’ve shaped my career and myself along the way. I see discomfort as an opportunity to grow. Jazz is a pretty male-dominated field, but in the past few years it’s gotten a lot better. I’m lucky to have friends and colleagues that are supportive and I hope that my presence on stage and as an educator inspires younger musicians.

Thanks – so what else should our readers know about your work and what you’re currently focused on?
I’m a bassist, vocalist, educator, and bandleader based in Chicago. As an in-demand sidewoman, I’ve had the opportunity to play with renowned musicians such as Brian Lynch, Carl Allen, Jim Snidero, Gary Smulyan, Troy Roberts, Joel Spencer, Ben Markley, Darius Brubeck, and the Glenn Miller Orchestra. Aside from playing in the US, I’ve also toured throughout South America, Cuba, and Mexico. This summer I participated in the 2026 Ravinia Steans Fellowship, studying with John Clayton, Billy Childs, and Steve Wilson.
Outside of playing, I regularly teach and present masterclasses at universities and conferences. I have performed at national conferences including Jazz Education Network, Midwest Band and Orchestra Association, North American Saxophone Alliance, and the International Society of Bassists Convention.
My goal is to be a supportive musician on stage and help everyone around me sound better. The nature of my instrument lends itself to a supportive role, so I’ve come to really value being the person who listens, responds, and creates space for others to shine. For me, being a successful musician isn’t just about what I contribute individually, but about how we can help each other create something greater together.

What makes you happy?
In the past few years, I’ve become really focused on community—building it, appreciating the people around me, and inviting others to engage alongside me in whatever I’m doing. I want everyone to feel valued and I try to create that sense of belonging through my craft: by performing, teaching, and inviting people to experience music in whatever way feels most comfortable to them, whether that’s as a listener, a performer, or somewhere in between. Being able to share music with others and start a conversation from that brings me a lot of joy.

Contact Info:

Woman with long hair smiling, holding a double bass against a brick wall.

Woman with long hair smiling, dark background, musical instrument partially visible, side profile.

Three musicians perform in a gymnasium with basketball hoops, audience seated on the floor, and a colorful chart on the wall.

Woman smiling with a double bass, standing outside a building with large windows and brick wall, in black and white.

Three musicians perform on stage: a pianist, a double bassist, and a drummer, with audience silhouettes in foreground.

Woman playing a double bass on stage with microphones and lighting, in black and white.

Four musicians perform on stage: a pianist, a double bassist, a drummer, and a vocalist, with a piano and microphones.

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